Showing posts with label environment. Show all posts
Showing posts with label environment. Show all posts

Monday, December 10, 2012

UNSEASONABLE CLIMATE CHANGE

Poem by Charles Frederickson
Graphic by Saknarin Chinayote



Imploding lonesome planet soiled earthlings
Perverse intolerant misunderstandings amongst Christians
Jews Muslims Buddhists Hindus Sikhs
Praying to whatever god listens

12 days of Christmas solemn
Ramadan 28 Kwanzaa lasting 7
Hanukkah Menorah aglow 8 eventides
Overstuffed feasts celebratory tummy aches

Kwanzaa Swahili meaning harvest bounty
7 guiding Nguzo Saba principles
Umoja (unity) Ujima (responsibility) Imani
(faith) Kuumba (creativity) unmitigated joy

Hanukkah from Hebrew connoting dedication
Honors victorious revolt entering Jerusalem
Holy temple sanctified eternal flame
Oil lamp kindling black light

Ramadan most intensely worshipful time
Profoundly serious compassion giving charity
More about dependence than abstinence
Fasting from sunrise to sunset

O Tannenbaum emerald forest blighted
How lovely were your branches
Hoping faith recycled comfort bring
Resilient strength throughout New Year


 No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .

Thursday, November 15, 2012

IFFY FUTURE FORECAST

Poem by Charles Frederickson
Graphic by Saknarin Chinayote 




Topsy-turvy third planet from Sun
Upside-down silk lining turned inside-out
Biofuel technological solutions replacing geological
Asteroid mining commercial solar power

Oceans cannot absorb greenhouse emissions
Cataclysmic climate effects current adrift
Digital radar storm tracking surveillance
Arctic shrinkage meltdown icebergs overturned

Handle With Care survival issues
Over-consumption splurge space tourism colonies
Funny business as usual until
Endangered resource depletion runs out

Nanotech manipulating nothing’s the matter
On quantum atomic molecular scale
Biosphere demands exceeding global biocapacity
Supply chain profit margins unlinked

Systematic holistic challenges about-face turnabout
Equitable sustainable cosmos needs different
Set of values bankrupting nature
Contaminated eco-environment next generation’s legacy

Regenerative telemedicine cloning dinosaur egg
Autonomous robots emotionless artificial intelligence
Discovering fast-forward ways toward happier
More contented resilient co-existence habitation


 No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .

Wednesday, November 14, 2012

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.

DIRE WARNINGS

by Linda Lerner

Image source: Linda Lerner


we were warned to keep away from strangers
to be suspicious of anyone not like us

people of other races and of different religions from ours
atheists and all free spirits especially artists

we were warned about sleeping in other people’s homes
eating food we weren’t familiar with

getting overexcited and too emotional about things
of danger lurking in sleep away camp and open road clubs

discouraged from swimming, bike riding getting too much sun
we were warned about touching ourselves and

of men who only wanted one thing
about drugs and sex and how “the more you get the more you want”

we were warned about many things
but nobody warned us about the trees

we played ring around the rosy under
that kept the sun from burning us

trees whose leaves dazzled us with color every autumn
infested with fungus or mold and dying of root rot

environmentalists sent out alarms with  predictions
we dismissed along with climate change as nonsense

nobody warned us that the trees would become killers
and uproot lifting up slabs of concrete from under us

break thru iron gates into homes flattening cars 
killing anyone in their way

nobody warned us…


Linda Lerner's Takes Guts and Years Sometimes (New & Selected Poems) is published by New York Quarterly Press.

Wednesday, November 7, 2012

AFTER THE ELECTION

by Joan Mazza

Watercolor by Suzanne Mays-Wentzell


The sun should be out, beaming cheer
in celebration of a win for equal rights
and a president who tells the truth,
but today is gray and dreary, forecast
for wind and rain, maybe snow.

I didn’t stay up all night like some, tired
of the angry words, too angry, too,
at those who vote against their interests
for a man who lied and lied. I went to bed,
resigned to cope with heat or cold,

no matter how the winds of voting blew.
I rose to learn the winners, and asked
again what shelters we might find
when I still worry about the safety
of our vegetables and drinks, the air

we breathe. Taught to pray for happy
outcomes, for wisdom in our leaders,
recovery from illness, grief, addiction,
I know no one’s listening to wishes
no matter how cold and dark life seems.

Through weak morning light, the ground
is littered with this year’s leaves. Signal
to go inward, grateful for this home, space
where darkness means silence, warmth,
and no one shouting what god wants from me.


Joan Mazza has worked as a psychotherapist, writing coach, certified sex therapist, and medical microbiologist, has appeared on radio and TV as a dream specialist. She is the author of six books, including Dreaming Your Real Self (Perigee/Putnam). Her work has appeared in Kestrel, Stone’s Throw, Rattle, Writer's Digest, Playgirl, and Writer's Journal. She now writes poetry and does fabric art in rural central Virginia.

Sunday, November 4, 2012

THE PRINCIPLES OF DESIGN

by Juleigh Howard-Hobson

Image source: Connect the Dots


Don’t tell me there isn’t any pattern.
It can be seen over and over. Here
It is: divide  and conquer, us and them,
Left and right. An agenda based on fear
Of who the others are, could be, might do...
Creating dread that everything could crash
If its own system is not stretched -- here to
There -- to shield the modern world from the rash
Interests of that post-modern other (which
Has no interest in the universal,
Does not like the status quo, is not rich
From global loans, and does not care, at all,
About you). The pattern’s clear: it connects
Those dots of doubts it makes while it protects.

 
Juleigh Howard-Hobson has simultaneously written literary fiction, formalist poetry and genre work, along with non-fiction essays and articles, purposely blunting the modern ‘brandable’ concept of artistic obligation to any single form or movement. Her work has appeared in such venues as The Lyric, Trinacria, The Flea, The Raintown Review, The Best of the Barefoot Muse (Barefoot Pub) and Caduceus (Yale University). She is the Assistant Poetry Editor of Able Muse.

Saturday, November 3, 2012

FIRST RIGHT OF REFUSAL

by Laura Rodley


Don’t pray for me anymore
say the grey whales
birthing calves
off the Pacific coast.
Don’t pray for me anymore
say the right whales
siphoning plankton and krill
off the Atlantic coast.
Don’t pray for me
squawk the seagulls
pedaling pizza
on the beach in Ocean Park,
their beaks full of crust.
Don’t pray for me
say the dying in their beds,
sheets cool and soft.
Don’t pray for me
mewed the tiny black and white
kitten under the stairwell
at the Econo Lodge in Columbus,
it is not your pieces of chicken
that saved me, nor your water
though I was dying of thirst.
I can make it on my own.


Laura Rodley’s New Verse News poem “Resurrection” has won a Pushcart Prize and appears in The Pushcart Prlze XXXVII: Best of the Small Presses (2013 edition). She was nominated twice before for the Prize as well as for Best of the Net. Her chapbook Rappelling Blue Light, a Mass Book Award nominee,  won honorable mention for the New England Poetry Society Jean Pedrick Award. Her second chapbook Your Left Front Wheel is Coming Loose was also nominated for a Mass Book Award and a L.L.Winship/Penn New England Award. Both were published by Finishing Line Press.  Co-curator of the Collected Poets Series, she teaches creative writing and works as contributing writer and photographer for the Daily Hampshire Gazette.  She edited As You Write It, A Franklin County Anthology, Volume I and Volume II.